"Be Still" Preview. Album Release (12/5/25)

Wieniawski - Caprice in A - moll | Piano Accompaniment

Beriot's Final Advice

Make Your Violin Sing | Applying Bel Canto Principles to Violin Performance

Oistrakh: Studio vs Concert Hall Tone Production

Heifetz’s 3 cadenzas for Mozart Violin Concerto No. 4

Left Hand Technique: David Oistrakh

You stink…you play with no feeling’…

Paganini/Bezekirsky - Variations on G string "Moses" | Leonid Kogan

1945 Yampolsky’s Class | Igor Bezrodny | (corrected pitch & synchronization)

Piano Quintet | Andrey Baranov | Vladimir Dyo | Fedor Belugin | Eldar Saparayev | Dmitry Demyashkin

Mikhail Bezverkhny | "Gambrinus"

Tchaikovsky, Valse-Scherzo | KOGAN | Corrected pitch

HEIFETZ: MORE BOW! | Part 2

DAVID OISTRAKH's tips on articulation, phrasing and interpretation.

Mozart vs Piazzolla | Who is sadder?

You can throw it all out… | Samuel Barber’s String Quartet

"I don't know if you can stand on one leg that long..." | Heifetz

Play elegantly but within the Polonaise | Heifetz

Don't panic, use more bow | Heifetz

Mastering RHYTHMIC INTEGRITY | Heifetz

WRIST VIBRATO | Christian Ferras

Oistrakh's FINGER-WRIST Vibrato

Should you add stickers to the fingerboard or not? | the 18th-century debate

How to change the bow smoothly at the frog?

Ysaÿe - Sonata No. 6 for Violin Solo | Vladimir Dyo

MOZART: Cadenzas by Oistrakh, Ysaÿe, Franko, Kreisler and Dyo for the Violin Concerto No.3

Intermezzo with a "Happy Birthday" insert inspired by Toscha Seidel | Vladimir Dyo

Securing Violin Intonation Exercises

"Smoke Gets in Your Eyes" for 2 Violins and Strings

One-Position Left Hand Technique

David Nadien vs Leonid Kogan | Schumann/Kreisler - Fantasy in C, Op. 131

No mic? No problem! | The 12,000-seat ancient theater in Perge (170-211 AD)

Rabin, Milstein, Mintz, Kavakos, Subramaniam | Paganini Caprice No. 5

"TRiLLS" Left Hand Technique Part VII | Menuhin

Dangerous but Expressive Fingering | Saint-Saens - Introduction & Rondo Capriccioso

A BOW-ARM technique from Odessa as demonstrated by David Oistrakh & Eduard Grach

Oistrakhs vs Kogans | Soviet Party Unites

Iconic Violin & Piano Collaborations

Kreisler vs Thibaud | Cadenza for Mozart's Violin Concerto No. 3

Heifetz on Integrity | Part 6

How to cross strings smoothly?

Glissando vs Portamento (how to execute it and what is the difference) | Bel Canto Series

KREISLER vs WIENIAWSKI | Caprice in A-moll, Op.18, No. 4 | PDF download

Heifetz about CRITICISM: "Stone Face, Poker Face, Sphinx, Cold"

Tchaikovsky - Leopold Auer: Violin Concerto Edits

Heifetz vs Oistrakh vs Milstein vs Gitlis - Tchaikovsky Violin Concerto

Kreisler Shocked Ormandy: A story about being late and "unprepared"

Heifetz on being or not being TONE DEAF

5 Cadenzas for Paganini Concerto No. 1 by Kreisler, Kubelik, Wilhelmj, Sauret 1912, and Sauret/Kogan

Kogan's Version of the Sauret Cadenza for Paganini's Violin Concerto No. 1

Discussing Bel Canto Style with Kevin Parks on TBS eFM 101.3 Seoul, Korea.

HEIFETZ on DISCIPLINE

(New) Fastest Violinist in the World

Left Hand Technique of Great Masters Part III: Largest Hand vs Smallest Hand

Left Hand Technique II: Accardo, Kogan, Milstein, Oistrakh, Heifetz

Left Hand Technique: Heifetz, Ferras, Oistrakh, Szeryng, Milstein, Menuhin

HEIFETZ on SCALES: Many students are afraid of scales...