In June 1969, construction workers between Oklahoma City and Edmond dug through red clay and uncovered a smooth expanse of rock laid out in diamond-shaped rows. It looked like a mosaic floor. Then came a second discovery that made the local papers: an object that looked like a stone hammer.
In this episode, I go back to the original *Daily Oklahoman* coverage and show the newspaper photos of the formation and the hammer-like object. Geologist J. Derwood Pate and Delbert Smith thought the pattern was too orderly to have formed naturally. University of Oklahoma archaeologist Robert E. Bell saw it differently and pointed to natural cracking. I look at why the alignment, the smooth surface, and the reported holes made the find worth a closer look.
I also read the later account that calls it a **200,000-year-old mosaic floor** and compare that claim with what the 1969 reports actually say. If the formation was laid by people, who laid it, and what would it tell us about the deep history of the Americas?
Take a look at the original photos and tell me what you see. Pura vida, mi gente.
**Newspaper coverage featured** - Tom Mundy, “It’s Crack Puzzle,” *The Daily Oklahoman*, June 28, 1969 - Jane Berryman, “Hammer Linked to Rock Mystery,” *The Daily Oklahoman*, July 3, 1969
https://youtu.be/QyD7Ji6Tvxw?si=exIPo... In this historical breakdown, I trace Wernher von Braun’s path from Nazi Germany’s V-2 program and the forced labor behind its production to Operation Paperclip, Walt Disney’s television studio, and NASA. I also look at Kurt Debus’s rise to lead Kennedy Space Center and how U.S. officials sought revised security reports after some recruits were rejected over their Nazi pasts.
The story reaches beyond rocketry. NASA’s first administrator, T. Keith Glennan, came out of Western Electric’s film-sound business and went on to manage studios at Paramount and Samuel Goldwyn. In the 1950s, Disney and von Braun used animation, models, and live actors to show audiences what a lunar voyage might look like. NASA and Life later brought the astronauts’ personal lives into American homes. I also trace Jack Parsons’s early rocket work, the Caltech group that grew into JPL, and Parsons’s ties to the occult circle of Aleister Crowley and L. Ron Hubbard.
Then we look closely at the 1969 CBS broadcast. Director Joel Banow used a miniature lander and simulated lunar terrain, pairing studio-made visuals with live mission audio. CBS also hired 2001: A Space Odyssey visual-effects artist Douglas Trumbull to build its on-screen graphics system. That brings us to the question I want viewers to ask whenever they see an exterior shot of the landing in a documentary. Where was the camera, who made the image, and what were viewers told they were watching?
Who founded NASA, who built its rocket program, and who sold America on the idea of space travel? Years before Apollo 11, Disney was already bringing rockets, space stations, lunar voyages, and expeditions to Mars into American living rooms. This historical breakdown follows how Hollywood helped shape the public’s picture of space and how the Moon landing became the biggest television event of that campaign.
I start with **NASA’s founding in 1958**. Congress passed the Space Act, President Eisenhower signed it, and the new agency took shape around the existing National Advisory Committee for Aeronautics. Its first administrator, **T. Keith Glennan**, came from an unexpected background. He worked in film sound at Western Electric’s ERPI and went on to manage studio operations at Paramount and Samuel Goldwyn.
Then I trace the teams that came into NASA. **Operation Paperclip** brought German rocket specialists into U.S. military research, including Wernher von Braun, an SS officer who led development of the V-2, a weapon built with concentration camp forced labor. While still working for the U.S. Army, von Braun teamed up with Walt Disney and Ward Kimball to dramatize future space missions. I also follow the early Caltech rocket group that grew into JPL, including **Jack Parsons** and his ties to the occult circles of Aleister Crowley and L. Ron Hubbard.
The campaign continued through NASA’s work with *Life* magazine and into the 1969 CBS broadcast. CBS paired live mission audio with studio-made visuals of the lunar module’s touchdown and hired *2001: A Space Odyssey* visual-effects artist Douglas Trumbull to build its on-screen graphics system. When that exterior touchdown shot appears in a documentary today, **where was the camera, who made the image, and what were viewers told they were seeing?**
Before millions watched Apollo 11, Hollywood had already spent years showing Americans what the space age was supposed to look like. Rockets, orbiting stations, voyages to the Moon, expeditions to Mars. The Moon landing was the culmination of years of selling a much bigger idea: that space was America’s next frontier.
A nineteenth-century review described Palenque as an “ecclesiastical city.” It was looking at an entire complex in Chiapas, Mexico, with a tower, courtyards, sanctuaries, burial chambers, and underground galleries. In this video, I read the old accounts to see which features led writers to compare Palenque with Solomon’s Temple and the temple described in Ezekiel’s vision.
I start with Mordecai Manuel Noah’s description of the architecture as Hebrew or Phoenician, printed in Frederick Marryat’s *A Diary in America*. Then I follow the debate through the early expeditions and Lord Kingsborough’s *Antiquities of Mexico*. Kingsborough argued that Palenque’s temple was modeled on Solomon’s. The *Foreign Quarterly Review* disputed his claim about the builders, proposed a shared Syrian model, and saw a closer resemblance to the plan described by Ezekiel.
Along the way, I look at Palenque’s waterworks and the Temple XIX inscription, which places the accession of the Maya god GI in 3309 BCE. The old accounts also compare ancient American monuments with those of Egypt and Syria. That’s where I take the investigation further. What made those writers assume the architectural model came from across the ocean, and how does the comparison read if we start with ancient America?
Different parties. Different campaign promises. Where does their support for Israel converge?
This video brings together clips from analysts, politicians, critics, and AIPAC representatives themselves to examine political spending, bipartisan influence, and the effort to elect candidates who support Israel.
Through public statements, interviews, and commentary, we examine AIPAC and its affiliated political groups, their support for Republican and Democratic candidates, and the relationship between campaign spending and Washington’s continued commitment to U.S. aid for Israel.
At the heart of this compilation is a question of accountability: whose priorities shape American foreign policy? What influence do voters have when they oppose their tax dollars supporting Israel’s military actions in Gaza, while urgent needs in their own communities remain unmet?
Listen to the advocates. Listen to the critics. Hear how AIPAC describes its own mission—and consider what that means for American voters, Palestinian lives, and the decisions made in Washington.
You guys don’t like the Black European videos? 🤷🏽♂️ They don’t get as much views as the rest of videos I upload …. … Eventually truth is going to hit you hard .. it’s not just about Indians …. Those last name you got are not slave names !
The investigation continues! In Part 10 of *Black Europeans Uncovered*, we return to original historical books, eyewitness descriptions, royal correspondence, political writings, and genealogical connections to uncover how prominent European figures were described in their own time.
This episode takes us through the royal courts and aristocratic families of England, Scotland, France, and Russia, revealing historical descriptions that many people today have never encountered.
**In this episode, we examine:**
- **The Stanhope Family:** Charles Stanhope and his cousin James Stanhope, 1st Earl Stanhope, both described in historical records using the terms Black or brown.
- **The Finch Family:** Daniel Finch, Earl of Nottingham, described as a “very black Man, like a Spaniard or Jew.” We also examine his brother Heneage Finch, his son Daniel Finch Jr., and his daughter Lady Mary Finch, described as the “blackest of the family.” Discover the historical nickname “the black funereal Finches” and the political pseudonym “Nigroque,” used for Daniel Finch.
- **Peter the Great of Russia:** A French correspondence dated June 17, 1717, describes the Russian Tsar as having an extremely brown complexion, “as if he had been born in Africa.” This adds another historical account to evidence presented in earlier episodes.
- **Philippe I, Duke of Orléans:** The brother of King Louis XIV of France, described in a 1701 publication as a “Middle-siz'd Black Man.”
- **John Spens of Condie:** A Scottish royal legal official during the reign of Mary, Queen of Scots, historically called “Black John Spens,” with a reference to his “black complexion.”
**Historical sources featured include:**
*Memoirs of the Secret Services of John Macky* (1733)
*The Political State of Great Britain* (1721)
*Reminiscences* by Horace Walpole (written 1788)
*The Letters of Horace Walpole*
*A New Ode, to a Great Number of Great Men, Newly Made* (1742)
*Secret Memoirs of a Treasonable Conference at S[omerset] House* (1717)
*Satire, Fantasy and Writings on the Supernatural*, Daniel Defoe, Part I, Volume 4
*Mémoires secrets sur l'établissement de la maison de Bourbon en Espagne* (1818)
*A View of Paris, and Places Adjoining* (1701)
*Mary Queen of Scots Vindicated* by John Whitaker (1790)
These historical descriptions are not modern inventions. We examine the original wording, identify the individuals being discussed, and explore family relationships that connect these accounts across generations.
**Black Europeans Uncovered** is an ongoing historical investigation into the people, families, and descriptions preserved in European historical records.
The documents speak. Examine the evidence for yourself.
Corn, monumental temples, serpent kings, sacred boats, and striking calendar parallels—this investigation brings several threads of our ancient America research together.
In this video, I examine historical accounts connecting descriptions of ancient Egypt with the civilizations of America, developing the case for America as the original Temeri and an ancestral source of what became known as Old World civilization.
Beginning with J. Gardner Wilkinson’s references to “corn” in Egyptian agriculture, beer, priestly provisions, Joseph’s storehouses, and even the stuffing of ancient leather balls, I connect these passages with our previous investigations into maize and its reported presence outside America before Columbus.
We then explore Catherwood’s comparison of an ornament at Ocosingo with Egypt’s winged globe, the immense Toniná complex, and Rafinesque’s descriptions of the “American Atlanteans.” Humboldt and Jomard contribute comparisons of Egyptian and Mexican calendars and seasonal ceremonies, while Cyrus H. Gordon discusses bearded serpent rulers, a seated Monte Albán figure, Sobek and Cipactli, and ceremonial boats carrying animal deities.
Readings from W. E. Bessey’s 1870 lecture add further comparisons involving American astronomy, agriculture, craftsmanship, and religious symbolism.
Building on our earlier research into Atlantis, Maya civilization, and America’s deep antiquity, I examine these connections together and explain why I identify America with the real ancient Egypt.
Read the sources with me, examine the comparisons, and follow the connections.
Kurimeo Ahau
In June 1969, construction workers between Oklahoma City and Edmond dug through red clay and uncovered a smooth expanse of rock laid out in diamond-shaped rows. It looked like a mosaic floor. Then came a second discovery that made the local papers: an object that looked like a stone hammer.
In this episode, I go back to the original *Daily Oklahoman* coverage and show the newspaper photos of the formation and the hammer-like object. Geologist J. Derwood Pate and Delbert Smith thought the pattern was too orderly to have formed naturally. University of Oklahoma archaeologist Robert E. Bell saw it differently and pointed to natural cracking. I look at why the alignment, the smooth surface, and the reported holes made the find worth a closer look.
I also read the later account that calls it a **200,000-year-old mosaic floor** and compare that claim with what the 1969 reports actually say. If the formation was laid by people, who laid it, and what would it tell us about the deep history of the Americas?
Take a look at the original photos and tell me what you see. Pura vida, mi gente.
**Newspaper coverage featured**
- Tom Mundy, “It’s Crack Puzzle,” *The Daily Oklahoman*, June 28, 1969
- Jane Berryman, “Hammer Linked to Rock Mystery,” *The Daily Oklahoman*, July 3, 1969
#OklahomaHistory #ArchaeologyMystery #KurimeoAhau
15 hours ago | [YT] | 21
View 1 reply
Kurimeo Ahau
https://youtu.be/QyD7Ji6Tvxw?si=exIPo... In this historical breakdown, I trace Wernher von Braun’s path from Nazi Germany’s V-2 program and the forced labor behind its production to Operation Paperclip, Walt Disney’s television studio, and NASA. I also look at Kurt Debus’s rise to lead Kennedy Space Center and how U.S. officials sought revised security reports after some recruits were rejected over their Nazi pasts.
The story reaches beyond rocketry. NASA’s first administrator, T. Keith Glennan, came out of Western Electric’s film-sound business and went on to manage studios at Paramount and Samuel Goldwyn. In the 1950s, Disney and von Braun used animation, models, and live actors to show audiences what a lunar voyage might look like. NASA and Life later brought the astronauts’ personal lives into American homes. I also trace Jack Parsons’s early rocket work, the Caltech group that grew into JPL, and Parsons’s ties to the occult circle of Aleister Crowley and L. Ron Hubbard.
Then we look closely at the 1969 CBS broadcast. Director Joel Banow used a miniature lander and simulated lunar terrain, pairing studio-made visuals with live mission audio. CBS also hired 2001: A Space Odyssey visual-effects artist Douglas Trumbull to build its on-screen graphics system. That brings us to the question I want viewers to ask whenever they see an exterior shot of the landing in a documentary. Where was the camera, who made the image, and what were viewers told they were watching?
1 day ago | [YT] | 104
View 1 reply
Kurimeo Ahau
Who founded NASA, who built its rocket program, and who sold America on the idea of space travel? Years before Apollo 11, Disney was already bringing rockets, space stations, lunar voyages, and expeditions to Mars into American living rooms. This historical breakdown follows how Hollywood helped shape the public’s picture of space and how the Moon landing became the biggest television event of that campaign.
I start with **NASA’s founding in 1958**. Congress passed the Space Act, President Eisenhower signed it, and the new agency took shape around the existing National Advisory Committee for Aeronautics. Its first administrator, **T. Keith Glennan**, came from an unexpected background. He worked in film sound at Western Electric’s ERPI and went on to manage studio operations at Paramount and Samuel Goldwyn.
Then I trace the teams that came into NASA. **Operation Paperclip** brought German rocket specialists into U.S. military research, including Wernher von Braun, an SS officer who led development of the V-2, a weapon built with concentration camp forced labor. While still working for the U.S. Army, von Braun teamed up with Walt Disney and Ward Kimball to dramatize future space missions. I also follow the early Caltech rocket group that grew into JPL, including **Jack Parsons** and his ties to the occult circles of Aleister Crowley and L. Ron Hubbard.
The campaign continued through NASA’s work with *Life* magazine and into the 1969 CBS broadcast. CBS paired live mission audio with studio-made visuals of the lunar module’s touchdown and hired *2001: A Space Odyssey* visual-effects artist Douglas Trumbull to build its on-screen graphics system. When that exterior touchdown shot appears in a documentary today, **where was the camera, who made the image, and what were viewers told they were seeing?**
**Sources discussed**
- [NASA — The 1958 Space Act and the creation of NASA](www.nasa.gov/history/65-years-ago-the-national-aer…)
- [NASA — T. Keith Glennan, first administrator](www.nasa.gov/people/t-keith-glennan/)
- [National Archives — Paperclip recruitment and security screening](www.archives.gov/iwg/reports/nazi-war-crimes-inter…)
- [Business Insider — The German specialists who helped build the American space program](www.businessinsider.com/nazi-scientists-space-prog…)
- [PBS — Wernher von Braun and the Nazis](www.pbs.org/wgbh/americanexperience/features/chasi…)
- [Caltech Archives — Early rocketry and the origins of JPL](library.caltech.edu/archives/exhibits/dare-mighty-…)
- [Walt Disney Family Museum — Walt Disney and space exploration](www.waltdisney.org/blog/disney-space)
- [The Atlantic — NASA’s campaign to win public support](www.theatlantic.com/technology/archive/2013/07/ast…)
- [PBS — How CBS produced its Moon landing coverage](www.pbs.org/wgbh/americanexperience/features/chasi…)
#NASA #OperationPaperclip #Hollywood #SpaceRace
1 day ago (edited) | [YT] | 15
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Kurimeo Ahau
Before millions watched Apollo 11, Hollywood had already spent years showing Americans what the space age was supposed to look like. Rockets, orbiting stations, voyages to the Moon, expeditions to Mars. The Moon landing was the culmination of years of selling a much bigger idea: that space was America’s next frontier.
1 day ago | [YT] | 12
View 0 replies
Kurimeo Ahau
A nineteenth-century review described Palenque as an “ecclesiastical city.” It was looking at an entire complex in Chiapas, Mexico, with a tower, courtyards, sanctuaries, burial chambers, and underground galleries. In this video, I read the old accounts to see which features led writers to compare Palenque with Solomon’s Temple and the temple described in Ezekiel’s vision.
I start with Mordecai Manuel Noah’s description of the architecture as Hebrew or Phoenician, printed in Frederick Marryat’s *A Diary in America*. Then I follow the debate through the early expeditions and Lord Kingsborough’s *Antiquities of Mexico*. Kingsborough argued that Palenque’s temple was modeled on Solomon’s. The *Foreign Quarterly Review* disputed his claim about the builders, proposed a shared Syrian model, and saw a closer resemblance to the plan described by Ezekiel.
Along the way, I look at Palenque’s waterworks and the Temple XIX inscription, which places the accession of the Maya god GI in 3309 BCE. The old accounts also compare ancient American monuments with those of Egypt and Syria. That’s where I take the investigation further. What made those writers assume the architectural model came from across the ocean, and how does the comparison read if we start with ancient America?
Pura vida,
Kurimeo Ahau
#Palenque #MayaArchitecture #SolomonsTemple #Ezekiel
2 days ago | [YT] | 19
View 0 replies
Kurimeo Ahau
Haya
3 days ago | [YT] | 2
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Kurimeo Ahau
Different parties. Different campaign promises. Where does their support for Israel converge?
This video brings together clips from analysts, politicians, critics, and AIPAC representatives themselves to examine political spending, bipartisan influence, and the effort to elect candidates who support Israel.
Through public statements, interviews, and commentary, we examine AIPAC and its affiliated political groups, their support for Republican and Democratic candidates, and the relationship between campaign spending and Washington’s continued commitment to U.S. aid for Israel.
At the heart of this compilation is a question of accountability: whose priorities shape American foreign policy? What influence do voters have when they oppose their tax dollars supporting Israel’s military actions in Gaza, while urgent needs in their own communities remain unmet?
Listen to the advocates. Listen to the critics. Hear how AIPAC describes its own mission—and consider what that means for American voters, Palestinian lives, and the decisions made in Washington.
#AIPAC #MoneyInPolitics #USForeignPolicy #Israel #Palestine
5 days ago | [YT] | 63
View 3 replies
Kurimeo Ahau
You guys don’t like the Black European videos? 🤷🏽♂️ They don’t get as much views as the rest of videos I upload …. … Eventually truth is going to hit you hard .. it’s not just about Indians …. Those last name you got are not slave names !
6 days ago | [YT] | 43
View 0 replies
Kurimeo Ahau
**BLACK EUROPEANS UNCOVERED — PART 10**
The investigation continues! In Part 10 of *Black Europeans Uncovered*, we return to original historical books, eyewitness descriptions, royal correspondence, political writings, and genealogical connections to uncover how prominent European figures were described in their own time.
This episode takes us through the royal courts and aristocratic families of England, Scotland, France, and Russia, revealing historical descriptions that many people today have never encountered.
**In this episode, we examine:**
- **The Stanhope Family:** Charles Stanhope and his cousin James Stanhope, 1st Earl Stanhope, both described in historical records using the terms Black or brown.
- **The Finch Family:** Daniel Finch, Earl of Nottingham, described as a “very black Man, like a Spaniard or Jew.” We also examine his brother Heneage Finch, his son Daniel Finch Jr., and his daughter Lady Mary Finch, described as the “blackest of the family.” Discover the historical nickname “the black funereal Finches” and the political pseudonym “Nigroque,” used for Daniel Finch.
- **Peter the Great of Russia:** A French correspondence dated June 17, 1717, describes the Russian Tsar as having an extremely brown complexion, “as if he had been born in Africa.” This adds another historical account to evidence presented in earlier episodes.
- **Philippe I, Duke of Orléans:** The brother of King Louis XIV of France, described in a 1701 publication as a “Middle-siz'd Black Man.”
- **John Spens of Condie:** A Scottish royal legal official during the reign of Mary, Queen of Scots, historically called “Black John Spens,” with a reference to his “black complexion.”
**Historical sources featured include:**
*Memoirs of the Secret Services of John Macky* (1733)
*The Political State of Great Britain* (1721)
*Reminiscences* by Horace Walpole (written 1788)
*The Letters of Horace Walpole*
*A New Ode, to a Great Number of Great Men, Newly Made* (1742)
*Secret Memoirs of a Treasonable Conference at S[omerset] House* (1717)
*Satire, Fantasy and Writings on the Supernatural*, Daniel Defoe, Part I, Volume 4
*Mémoires secrets sur l'établissement de la maison de Bourbon en Espagne* (1818)
*A View of Paris, and Places Adjoining* (1701)
*Mary Queen of Scots Vindicated* by John Whitaker (1790)
These historical descriptions are not modern inventions. We examine the original wording, identify the individuals being discussed, and explore family relationships that connect these accounts across generations.
**Black Europeans Uncovered** is an ongoing historical investigation into the people, families, and descriptions preserved in European historical records.
The documents speak. Examine the evidence for yourself.
**DODGE THE HIJACK!**
#BlackEuropeans #BlackEuropeansUncovered #EuropeanHistory #BlackHistory #RoyalHistory #HiddenHistory #Genealogy #PeterTheGreat #HistoricalResearch #KurimeoAhau
1 week ago | [YT] | 30
View 0 replies
Kurimeo Ahau
Corn, monumental temples, serpent kings, sacred boats, and striking calendar parallels—this investigation brings several threads of our ancient America research together.
In this video, I examine historical accounts connecting descriptions of ancient Egypt with the civilizations of America, developing the case for America as the original Temeri and an ancestral source of what became known as Old World civilization.
Beginning with J. Gardner Wilkinson’s references to “corn” in Egyptian agriculture, beer, priestly provisions, Joseph’s storehouses, and even the stuffing of ancient leather balls, I connect these passages with our previous investigations into maize and its reported presence outside America before Columbus.
We then explore Catherwood’s comparison of an ornament at Ocosingo with Egypt’s winged globe, the immense Toniná complex, and Rafinesque’s descriptions of the “American Atlanteans.” Humboldt and Jomard contribute comparisons of Egyptian and Mexican calendars and seasonal ceremonies, while Cyrus H. Gordon discusses bearded serpent rulers, a seated Monte Albán figure, Sobek and Cipactli, and ceremonial boats carrying animal deities.
Readings from W. E. Bessey’s 1870 lecture add further comparisons involving American astronomy, agriculture, craftsmanship, and religious symbolism.
Building on our earlier research into Atlantis, Maya civilization, and America’s deep antiquity, I examine these connections together and explain why I identify America with the real ancient Egypt.
Read the sources with me, examine the comparisons, and follow the connections.
Pura vida,
Kurimeo Ahau
#AncientAmerica #AncientEgypt #Maize #Maya #Atlantis
1 week ago | [YT] | 73
View 0 replies
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