How I Choose Musicians for Each Album | Aureo Baqueiro

Advice for Up-and-Coming Producers | Aureo Baqueiro

How I learned to play the drums | Aureo Baqueiro

What We Gained and Lost with Music Streaming | Aureo Baqueiro

It Is Much Harder to Succeed in Music Today | Aureo Baqueiro

The Telecaster is my favorite guitar for recording | Aureo Baqueiro

The Challenge of Producing Alejandro Fernández | Aureo Baqueiro

The record label didn't know what to do with Natalia Lafourcade's album | Aureo Baqueiro

If I Were 17 Again, I'd Tell Myself Not to Be Afraid | Aureo Baqueiro

How a music producer gets paid | Aureo Baqueiro

How I choose the musicians for each song | Aureo Baqueiro

How I Became Timbiriche's Drummer | Aureo Baqueiro

Every artist needs a different version of the music producer | Aureo Baqueiro

Working on the Psychological Aspect with Artists in a Recording Studio | Aureo Baqueiro

How I produced “Me dediqué a perderte” with Alejandro Fernández | Aureo Baqueiro

The Director demands perfection: When to let the song go? | Aureo Baqueiro

Artist vs. Producer: Who has the final say? | Aureo Baqueiro

How I produce an album from scratch | Aureo Baqueiro

What Does a Music Producer Do? | Aureo Baqueiro

I was 18 when I started playing with Timbiriche | Aureo Baqueiro

This is how I choose which musician each artist needs | Aureo Baqueiro

How we recorded a Natalia Lafourcade song in a single take | Aureo Baqueiro

This Is How I Remember Working with Natalia Lafourcade | Aureo Baqueiro

How I experienced the Timbiriche phenomenon from the inside | Aureo Baqueiro

Alejandro Fernández was the first big star I produced | Aureo Baqueiro

Is Artificial Intelligence devaluing music? | Aureo Baqueiro

How to get work as a session musician? | Aureo Baqueiro

How I produced “México en Madrid” with Alejandro Fernández | Aureo Baqueiro