Monkey Wrench: The Practice App a NY Phil Bassist Built for Orchestral Musicians

New Wiedoeft Double Bass Rosin: Grip, Tone, and Playability

Chris Johnson on Building a Bigger Dream Through Music #doublebass

A Daily Mozart Routine for Better Double Bass Intonation | with Daniel Chiva Sanz

What Bottesini’s Manuscripts Reveal | Mark Morton’s Urtext Editions

Andrés Martín Double Bass Concerto No 2, Movement 1

Cole Davis Taught Me Jazz Bass… Then I Taught Him Bowing

Sakura Variations by Yukihiro Yocoh | arranged and performed by Donovan Stokes

Andres Martin performs his work Flare for solo double bass

Duetto No 8 - il Furetto by Francesco Burlone for 2 double basses

SoJung Kim’s journey from Korea to the San Francisco Ballet Orchestra

Orion Miller on preparation, structure, and trusting the process

Dominik Wagner on teaching, competitions, and finding your sound

Don Prell (1929-2026): Mingus Duets, Golden Gate Bridge Recitals, and 30 Years in the SFS

Hal Robinson: Boardwalkin’ → Hitch-hikin’ (The Evolution of a System)

Winter Bass Rosin Review + Talking with the Maker

Caleb Quillen (Boston Symphony Orchestra Principal Bass) | Auditions, Sound, and Leadership

A Bass Documentary So Good I Had to React

Subbing with a Major Orchestra: How I Prep for First Rehearsal

Bowen Ha’s Practice Routine for Winning Auditions

The $99 Upright Bass Pickup That Actually Sounds Good (KNA DB-1)

Took 5 Days Off Bass… Here’s How I Come Back

The “No Tension” Idea That Changed My Bass Playing

Your Thumbs Are RUINING Your Bass Playing (And You Can’t Even See Them)

Bowen Ha | complete double bass recital from San Francisco Bass Bash

Nina Bernat - complete recital from 2026 Carnegie Mellon Double Bass Symposium

Giacomo Puccini Nessun Dorma from Turandot - bass ensemble

Progressive Scales for Double Bass (Daily Exercise That Works)

How to Practice Fast Notes on Bass Without Locking Up

Crab Technique for Double Bass: A Practical Step-by-Step

Learning jazz through the eyes of a classical double bassist

My 2026 Double Bass Practice Routine (Works for ANY Level)

7.2 Next Steps: Where to Go from Here

4.3 Read & Play: Open‑String Notes on D and G

5.1 Finding the Neck Block: Your First Left‑Hand Landmark

2.5 Why the Real Work Happens on the String

2.1 German vs French: What’s the Difference and Which Is “Best”?

1.2 Standing Setup: Finding a Comfortable Standing Position

1.3 Sitting Setup: Finding a Comfortable Seated Position

6.1 Shifting Down: From Neck Block to First Position

6.2 Reading First‑Position Notes on G and D Strings

4.1 Reading Bass Clef: Open‑String Notes

4.4 Read & Play: All Four Open Strings

1.1 What Is the Double Bass? Parts and Sizes

3.2 Pizzicato: Getting a Basic Plucked Sound

5.3 Reading Neck‑Block Notes on the Staff (G and D Strings)

2.3 French Bow Hold in the Air: Familiar for String Teachers

3.1 The Four Open Strings: Names and Order

5.2 Left‑Hand Shape at the Neck Block (G String)

4.2 Simple Rhythm on Open Strings

7.1 Review: From Setup to First Position

3.4 Open‑String Long‑Tone Bowed Play‑Along

6.3 Mary Had a Little Lamb in First Position

2.2 German Bow Hold in the Air: The “Zombie” Method

2.4 How to Rosin Your Bow and Why It Matters

3.3 Tuning Basics for Beginners and Teachers

What to do when your rosin becomes a dry, powdery mess?

@MikyungBass performs Elegy No. 2 by Bottesini

Exploring Baroque Bass Repertoire – Stephen Tramontozzi on Basso Antico

How to Spice Up Your Double Bass Practice (Stay Motivated & Improve Faster)